1
00:00:10,958 --> 00:00:14,000
"I paint what I see" is a painter's maxim,

2
00:00:14,083 --> 00:00:18,041
and one that reveals to us
the many layers of our world.

3
00:00:19,250 --> 00:00:22,500
Because behind everything beautiful
lies the dark.

4
00:00:36,583 --> 00:00:40,416
Beauty is in the eye of the beholder,
but what about the horror?

5
00:00:41,000 --> 00:00:44,541
We ascribe these visions
to a feverish imagination.

6
00:00:45,041 --> 00:00:47,166
A whim, a folly.

7
00:00:47,666 --> 00:00:49,333
But what if they are not?

8
00:00:49,416 --> 00:00:51,708
What if they are a careful record,

9
00:00:52,208 --> 00:00:53,083
a warning,

10
00:00:53,750 --> 00:00:55,166
or a family album?

11
00:00:55,666 --> 00:00:58,583
Our tale tonight is "Pickman's Model,"

12
00:00:58,666 --> 00:01:01,125
and its director, Keith Thomas.

13
00:02:16,666 --> 00:02:19,416
How much longer
must I keep my neck like this?

14
00:02:19,500 --> 00:02:21,125
You can't rush perfection.

15
00:02:23,208 --> 00:02:26,166
And you wouldn't wanna end up
with one hill bigger than the other.

16
00:02:28,458 --> 00:02:29,500
You wouldn't dare.

17
00:02:35,666 --> 00:02:37,583
Thought you gave the girl the morning off.

18
00:02:37,666 --> 00:02:38,500
Rebecca?

19
00:02:40,333 --> 00:02:41,500
Don't you dare.

20
00:02:41,583 --> 00:02:43,625
Mmm…

21
00:02:43,708 --> 00:02:45,250
Rebecca, where are you?

22
00:02:45,750 --> 00:02:47,625
Up here, Papa!

23
00:02:52,708 --> 00:02:53,916
Mm-hmm.

24
00:03:31,625 --> 00:03:32,833
Thurber, Thurber.

25
00:03:32,916 --> 00:03:35,583
Thank God. Save me from these philistines.

26
00:03:35,666 --> 00:03:36,916
Oh, come now.

27
00:03:37,000 --> 00:03:38,916
We were just discussing
the Impressionists.

28
00:03:39,000 --> 00:03:41,250
Smithfield here was busy
railing against Cézanne.

29
00:03:41,333 --> 00:03:43,958
All I said is
I don't see what the fuss is about.

30
00:03:44,041 --> 00:03:46,458
My father saw his exhibition
in Paris two summers ago.

31
00:03:46,541 --> 00:03:47,875
He said it was rotten.

32
00:03:49,166 --> 00:03:53,000
Do you see what I'm dealing with? Rotten?!

33
00:04:03,791 --> 00:04:06,666
Places, gentlemen. You are on my time now.

34
00:04:10,583 --> 00:04:13,125
Before we begin,
I have some announcements.

35
00:04:14,375 --> 00:04:18,791
The deadline for this year's
student art prize approaches.

36
00:04:19,500 --> 00:04:21,791
For those of you
unaware of its importance,

37
00:04:21,875 --> 00:04:25,291
the work judged to be the best
by the committee

38
00:04:25,375 --> 00:04:28,625
will be put on display at Arkham Gallery

39
00:04:29,791 --> 00:04:33,541
to be seen by critics and patrons alike.

40
00:04:35,500 --> 00:04:39,500
This kind of opportunity
can be the making of a young artist,

41
00:04:40,208 --> 00:04:42,791
as I am sure
last year's winner can attest.

42
00:04:42,875 --> 00:04:44,500
Mr. Thurber?

43
00:04:45,375 --> 00:04:46,250
Quite, sir.

44
00:04:50,375 --> 00:04:51,291
Also,

45
00:04:52,291 --> 00:04:55,583
starting today,
we have a new addition to our class.

46
00:04:57,291 --> 00:04:59,041
Mr. Pickman,

47
00:05:00,000 --> 00:05:02,083
if you'll find an empty space.

48
00:05:23,041 --> 00:05:24,666
If you are all ready.

49
00:05:29,583 --> 00:05:32,083
Our 15 minutes begins…

50
00:05:32,791 --> 00:05:33,625
now.

51
00:05:46,541 --> 00:05:48,416
Draw what you see.

52
00:05:57,125 --> 00:06:00,708
Be aware of the empty space
near the bicep.

53
00:06:04,166 --> 00:06:05,958
Remember your basic shapes.

54
00:06:09,083 --> 00:06:12,208
Construct, don't shade.

55
00:06:14,208 --> 00:06:16,541
Remember, the neck is a limb.

56
00:06:24,916 --> 00:06:26,583
Four minutes remaining.

57
00:07:13,750 --> 00:07:15,375
My time, Mr. Thurber.

58
00:07:16,375 --> 00:07:18,291
Or have we finished already?

59
00:07:33,125 --> 00:07:36,208
I just fail to see
what's so interesting about them.

60
00:07:36,291 --> 00:07:39,125
That's because you lack imagination.

61
00:07:39,208 --> 00:07:42,000
It's why Thurber here
keeps taking your money at cards.

62
00:07:44,375 --> 00:07:45,291
Full house.

63
00:07:47,333 --> 00:07:51,041
I'd say you fellas could use
a little of the new kid's imagination.

64
00:07:51,125 --> 00:07:52,000
New kid?

65
00:07:52,666 --> 00:07:53,791
Pickman?

66
00:07:53,875 --> 00:07:56,625
That guy's got to be
at least 80 years old.

67
00:07:56,708 --> 00:07:59,041
And from what I hear, he's a wet fish.

68
00:07:59,125 --> 00:08:00,375
Old New England money.

69
00:08:00,458 --> 00:08:03,958
-Not that you'd be able to tell.
-I heard his mother's from Arkham.

70
00:08:04,041 --> 00:08:04,875
Mm!

71
00:08:04,958 --> 00:08:09,208
A friend has it that she died
of a grizzly suicide when he was a boy.

72
00:08:09,958 --> 00:08:12,000
His father went mad shortly after.

73
00:08:13,541 --> 00:08:14,750
Thanks to his inheritance,

74
00:08:14,833 --> 00:08:17,416
he's been rambling around Europe
for the past decade.

75
00:08:20,083 --> 00:08:20,958
Well!

76
00:08:21,625 --> 00:08:25,708
If his piece today was any indication,
he won't make it at Miskatonic.

77
00:08:25,791 --> 00:08:28,666
I mean, the entire point of the class
is to draw what you see,

78
00:08:28,750 --> 00:08:30,291
not rotting flesh.

79
00:08:30,375 --> 00:08:34,333
-Perhaps that is what he saw.
-The man does draw in the cemetery.

80
00:08:45,958 --> 00:08:48,375
Early in the evening to be grave-robbing.

81
00:08:49,583 --> 00:08:50,791
It's Pickman, right?

82
00:08:54,125 --> 00:08:54,958
Richard.

83
00:08:56,083 --> 00:08:56,916
Well,

84
00:08:58,166 --> 00:08:59,000
Dickie…

85
00:09:01,750 --> 00:09:03,125
what do you have there?

86
00:09:07,875 --> 00:09:10,166
I think the rats got to her.

87
00:09:11,083 --> 00:09:13,166
Well, something certainly did.

88
00:09:15,583 --> 00:09:16,500
Eugh.

89
00:09:21,291 --> 00:09:23,625
So do you do this kind of thing a lot?

90
00:09:24,416 --> 00:09:26,791
Haunt cemeteries in the dead of night?

91
00:09:28,041 --> 00:09:29,791
'Cause your imagination is…

92
00:09:33,333 --> 00:09:36,000
I saw the piece
you did in Bosworth's class.

93
00:09:38,458 --> 00:09:39,458
You're very good.

94
00:09:40,166 --> 00:09:42,125
Well, I'm not sure he'd agree.

95
00:09:42,875 --> 00:09:45,625
If there's one thing
Bosworth can't abide in his students,

96
00:09:45,708 --> 00:09:47,000
it's talent.

97
00:09:47,083 --> 00:09:48,875
He seems to like your work.

98
00:09:54,625 --> 00:09:57,125
You thinking about entering the art prize?

99
00:09:57,625 --> 00:10:00,458
You, uh… You really should. It's, uh…

100
00:10:01,875 --> 00:10:03,250
quite the opportunity.

101
00:10:03,833 --> 00:10:07,375
Oh, I'm not very interested in prizes.

102
00:10:08,625 --> 00:10:11,833
Then what are you interested in, Dickie?

103
00:10:37,875 --> 00:10:38,958
These are…

104
00:10:42,875 --> 00:10:43,708
powerful.

105
00:10:47,541 --> 00:10:51,250
The darkness, the ugliness,

106
00:10:51,333 --> 00:10:52,666
the corruption.

107
00:10:54,666 --> 00:10:56,875
Suffering is living.

108
00:10:57,458 --> 00:11:00,000
We cannot let sympathy

109
00:11:00,500 --> 00:11:02,291
or altruism

110
00:11:02,375 --> 00:11:06,000
shield us from finding
the truths of this world.

111
00:11:11,208 --> 00:11:12,375
Oh, come on now.

112
00:11:13,375 --> 00:11:14,791
Don't keep it a secret.

113
00:11:16,958 --> 00:11:19,833
Where does one find these, uh,

114
00:11:19,916 --> 00:11:21,291
elusive truths?

115
00:11:34,583 --> 00:11:36,166
Where fear lives.

116
00:12:12,291 --> 00:12:14,541
Ah, I see you're tardy as usual.

117
00:12:16,000 --> 00:12:17,958
What, you're not submitting?

118
00:12:18,041 --> 00:12:21,166
I decided to give the rest of you guys
a chance to impress.

119
00:12:23,166 --> 00:12:26,541
-So how goes it?
-Oh, brutally of course.

120
00:12:27,041 --> 00:12:29,791
Smithfield is proclaiming
he has it in the bag.

121
00:12:31,958 --> 00:12:33,125
Any sign of Pickman?

122
00:12:33,208 --> 00:12:34,583
-He's in with them now.

123
00:13:07,458 --> 00:13:08,291
Dickie?

124
00:13:12,125 --> 00:13:15,041
It's the wrong audience for my work.

125
00:13:16,416 --> 00:13:17,541
Sorry.

126
00:13:17,625 --> 00:13:23,916
I'm beginning to doubt
these people truly have anything to teach.

127
00:13:27,291 --> 00:13:28,333
We have a…

128
00:13:29,375 --> 00:13:31,375
well, sort of a ritual,

129
00:13:31,458 --> 00:13:34,041
me and some of the others,
after a brutal critique.

130
00:13:34,541 --> 00:13:36,916
A little… fun.

131
00:13:37,625 --> 00:13:39,208
-Would you…
-You should join us.

132
00:13:40,166 --> 00:13:42,041
…like to see my paintings?

133
00:13:43,666 --> 00:13:44,500
I would.

134
00:14:15,750 --> 00:14:16,666
You, uh…

135
00:14:18,166 --> 00:14:19,583
You never showed these.

136
00:14:27,375 --> 00:14:28,750
Yeah. Come.

137
00:14:29,375 --> 00:14:32,125
This work's a little stronger
than what you've seen.

138
00:14:35,083 --> 00:14:38,333
My family have been
in New England for generations,

139
00:14:38,416 --> 00:14:40,291
since before the witch trials.

140
00:14:41,291 --> 00:14:43,875
My mother told me stories as a boy.

141
00:14:47,000 --> 00:14:48,500
Family stories.

142
00:14:49,083 --> 00:14:52,500
My great-grandmother's great-grandmother,

143
00:14:52,583 --> 00:14:53,708
Lavinia.

144
00:14:55,875 --> 00:14:57,750
She was branded a hex.

145
00:14:58,333 --> 00:14:59,500
A sorceress.

146
00:15:02,625 --> 00:15:04,250
Burned at the stake.

147
00:15:12,166 --> 00:15:14,458
The family gossip claims

148
00:15:14,541 --> 00:15:18,500
Lavinia killed her husband during a rite,

149
00:15:19,625 --> 00:15:25,416
then served his still-warm flesh
to members of her coven.

150
00:15:33,958 --> 00:15:37,625
Sometimes, when I'd wake in the night…

151
00:15:41,083 --> 00:15:43,041
…I'd hear them through the floor.

152
00:15:46,250 --> 00:15:47,791
Sounds of their party.

153
00:15:53,875 --> 00:15:55,833
-Do you hear that?

154
00:15:59,625 --> 00:16:00,958
Do you hear them, Will?

155
00:16:01,541 --> 00:16:04,750
-I…
-Beneath us, in the earth, my kin…

156
00:18:20,958 --> 00:18:22,125
Tough night, Will?

157
00:18:23,583 --> 00:18:25,500
You do realize it's afternoon?

158
00:18:27,250 --> 00:18:28,125
Oh, shit.

159
00:18:28,916 --> 00:18:30,916
Oh, sh… shit!

160
00:18:35,875 --> 00:18:36,708
Excuse me.

161
00:18:39,166 --> 00:18:41,708
-So lovely to see you!

162
00:18:44,750 --> 00:18:47,375
-The party's almost over.
-I know. I'm… I'm sorry.

163
00:18:48,416 --> 00:18:49,375
I'm here now.

164
00:18:49,458 --> 00:18:52,208
-Everything okay?
-Of course. Why?

165
00:18:52,875 --> 00:18:54,416
Whiskey. Whatever you got.

166
00:18:57,833 --> 00:19:00,291
What? I'm just
getting into the swing of it.

167
00:19:00,375 --> 00:19:01,875
Come. We've been waiting.

168
00:19:05,166 --> 00:19:07,291
Will, this is my aunt, Mrs. Creighton.

169
00:19:07,375 --> 00:19:10,875
Aunt Lizzy, this is my friend
William Thurber.

170
00:19:12,333 --> 00:19:15,541
My dear niece Rebecca
swears you're quite the artist.

171
00:19:17,208 --> 00:19:20,125
Would you excuse me for a moment?
I'm just gonna go find Papa.

172
00:19:20,208 --> 00:19:21,250
Of course.

173
00:19:21,333 --> 00:19:23,958
She's a remarkable young woman.

174
00:19:25,250 --> 00:19:27,666
So, William, tell me about your art.

175
00:19:28,166 --> 00:19:31,291
Rebecca says you specialize in portraits,
which I happen to adore.

176
00:19:33,166 --> 00:19:35,666
I've sat for many a portrait in my…

177
00:19:36,791 --> 00:19:38,708
Oh. Are you all right?

178
00:19:44,833 --> 00:19:45,666
Excuse me.

179
00:19:56,333 --> 00:19:57,458
-Will.
-Ah! Uh…

180
00:19:59,125 --> 00:20:00,250
I'm sor….

181
00:20:00,916 --> 00:20:01,833
Uh…

182
00:20:02,416 --> 00:20:04,958
I'd… I'd like you
to meet my father Charles.

183
00:20:05,625 --> 00:20:08,125
-Hello, William.
-Pleasure to meet you, sir.

184
00:20:20,416 --> 00:20:21,500
-Ah!

185
00:20:25,333 --> 00:20:26,541
Excuse me, sir.

186
00:20:27,541 --> 00:20:29,958
-Steady on!
-Are you all right?

187
00:20:37,208 --> 00:20:38,041
Will?

188
00:20:39,416 --> 00:20:40,250
Will!

189
00:20:42,083 --> 00:20:43,500
Will, stop!

190
00:20:44,166 --> 00:20:45,333
-What is wrong?
-I just…

191
00:20:45,416 --> 00:20:46,333
I…

192
00:20:47,666 --> 00:20:49,500
-What?
-That… That woman.

193
00:20:49,583 --> 00:20:52,250
The woman with… with…
with your father, she…

194
00:20:56,250 --> 00:20:59,291
No, see, she's not…

195
00:21:08,625 --> 00:21:09,458
How di…

196
00:21:13,166 --> 00:21:16,625
What is <i>happening </i>to me?

197
00:21:16,708 --> 00:21:18,500
Last night, the… the painting…

198
00:21:27,333 --> 00:21:28,625
I'm s… I'm sorry.

199
00:21:28,708 --> 00:21:31,250
I'm… I'm… I'm so sorry.

200
00:21:36,500 --> 00:21:37,500
Are you? I mean,

201
00:21:38,625 --> 00:21:40,750
you knew how important this was to me.

202
00:21:41,583 --> 00:21:43,291
-You show up drunk.
-I'm not--

203
00:21:43,375 --> 00:21:45,708
That's my father! That's my father!

204
00:21:47,958 --> 00:21:48,916
I know.

205
00:21:49,500 --> 00:21:50,375
You should go.

206
00:21:52,041 --> 00:21:53,916
Please. Please, please don't.

207
00:21:58,500 --> 00:22:00,375
This was such a mistake.

208
00:22:02,583 --> 00:22:04,750
I don't even recognize you anymore.

209
00:22:19,625 --> 00:22:20,458
Dickie.

210
00:22:23,833 --> 00:22:24,666
Dickie!

211
00:23:19,916 --> 00:23:24,375
Joe, it undermines the very traditions
of European craftsmanship.

212
00:23:24,458 --> 00:23:27,791
If you ask me, I think people
are rather tired of that crazy stuff.

213
00:23:27,875 --> 00:23:29,375
What people is that?

214
00:23:30,208 --> 00:23:34,625
You can't just decry the entire
Modernist movement as worthless.

215
00:23:34,708 --> 00:23:36,291
Samuel's work, perhaps.

216
00:23:37,375 --> 00:23:40,791
Tell me, what does
our resident tastemaker think?

217
00:23:47,708 --> 00:23:50,958
I think the two of you enjoy
your arguments even more than your art.

218
00:23:51,958 --> 00:23:54,416
And… you're both right.

219
00:23:56,916 --> 00:23:59,416
Tradition is important.

220
00:24:00,666 --> 00:24:01,708
It endures.

221
00:24:02,791 --> 00:24:06,958
But what is art
in this modern world without truth?

222
00:24:08,083 --> 00:24:09,125
A little risk?

223
00:24:11,583 --> 00:24:12,541
Who's this?

224
00:24:13,041 --> 00:24:15,125
Uh… Clown!

225
00:24:15,833 --> 00:24:17,041
What's his name?

226
00:24:17,875 --> 00:24:19,375
He doesn't have a name.

227
00:24:21,291 --> 00:24:23,666
I think we need
to give them some names.

228
00:24:23,750 --> 00:24:25,291
I think they deserve that.

229
00:24:25,375 --> 00:24:28,583
-What should we call him?
-I don't know.

230
00:24:30,416 --> 00:24:32,041
And this one, who's this?

231
00:24:33,125 --> 00:24:35,208
He's Mr. Green Mouth.

232
00:24:35,833 --> 00:24:38,375
Mr. Green Mouth?

233
00:24:39,041 --> 00:24:42,458
-Why is he Mr. Green Mouth?
-That's why drew him with a green mouth.

234
00:24:42,541 --> 00:24:44,750
Someone's up awfully late this evening.

235
00:24:44,833 --> 00:24:45,958
Papa!

236
00:24:46,041 --> 00:24:47,750
Hi.

237
00:24:48,666 --> 00:24:51,375
-He wanted to show you his pictures.
-Did he?

238
00:24:53,291 --> 00:24:54,916
I like this.

239
00:24:55,000 --> 00:24:56,958
Very interesting use of color.

240
00:24:58,458 --> 00:25:02,208
Tell you what, I will take all these
to my office so I can see them every day.

241
00:25:03,041 --> 00:25:04,541
-Right?
-All right.

242
00:25:04,625 --> 00:25:05,666
Mm-hmm.

243
00:25:06,750 --> 00:25:08,791
Time for bed. Go brush your teeth.

244
00:25:09,458 --> 00:25:10,916
Papa will tuck you in.

245
00:25:11,750 --> 00:25:12,750
Good boy.

246
00:25:31,875 --> 00:25:32,916
Are you tired?

247
00:25:33,458 --> 00:25:34,625
Exhausted.

248
00:25:37,166 --> 00:25:38,375
How exhausted?

249
00:25:50,875 --> 00:25:51,875
Don't worry.

250
00:25:52,416 --> 00:25:53,333
I'll be quick.

251
00:26:15,583 --> 00:26:16,666
Ow!

252
00:26:49,708 --> 00:26:51,583
Excuse me. Hello?

253
00:26:52,583 --> 00:26:53,416
Hey!

254
00:28:25,958 --> 00:28:26,958
Mm?

255
00:29:43,708 --> 00:29:44,791
-Will?

256
00:29:45,958 --> 00:29:47,416
-Will?

257
00:29:53,583 --> 00:29:55,375
-What's the matter?
-Nothing.

258
00:29:56,583 --> 00:29:58,333
Nothing, sorry. I was just…

259
00:29:58,916 --> 00:29:59,916
I couldn't sleep.

260
00:30:03,833 --> 00:30:05,333
-You want some tea?
-Sure.

261
00:30:06,208 --> 00:30:07,291
Sure, thank you.

262
00:30:15,416 --> 00:30:19,416
Sweetheart, you didn't meet
whoever sent this, did you?

263
00:30:20,708 --> 00:30:22,541
The man said you know him.

264
00:30:23,041 --> 00:30:26,083
Said his name is Pickman.
He's back in town again.

265
00:30:50,041 --> 00:30:51,000
Mr. Thurber.

266
00:30:51,958 --> 00:30:53,041
You're in early.

267
00:30:54,416 --> 00:30:57,000
This is to be returned to the artist
along with the check.

268
00:30:57,666 --> 00:31:00,583
-I'd like it gone today.
-Of course. Is there an address?

269
00:31:00,666 --> 00:31:01,875
Just get it done!

270
00:31:06,458 --> 00:31:07,583
Please.

271
00:31:16,708 --> 00:31:18,625
Thurber, my boy, you look tired.

272
00:31:19,333 --> 00:31:20,166
My, uh…

273
00:31:20,916 --> 00:31:23,833
My son, he, uh… he isn't sleeping much.

274
00:31:24,416 --> 00:31:25,458
Ah, yes.

275
00:31:26,458 --> 00:31:27,291
Children.

276
00:31:29,250 --> 00:31:31,500
Who are we waiting on?

277
00:31:34,625 --> 00:31:35,500
Apologies.

278
00:31:36,000 --> 00:31:39,833
Yes, yes, let's begin, shall we?
I call the committee to order.

279
00:31:39,916 --> 00:31:43,250
Now, we have a few items
to get through today,

280
00:31:43,750 --> 00:31:48,375
but first, Joe, you look positively
like the cat that ate the canary.

281
00:31:48,458 --> 00:31:50,166
Would you care to enlighten us?

282
00:31:52,833 --> 00:31:55,208
I've invited a special guest to join us.

283
00:31:55,291 --> 00:31:58,458
I'd like the group to consider his work
for this year's exhibition.

284
00:31:58,541 --> 00:32:00,166
Well, now I'm curious.

285
00:32:02,500 --> 00:32:03,666
Gentlemen,

286
00:32:03,750 --> 00:32:06,416
this is Richard Upton Pickman.

287
00:32:08,625 --> 00:32:10,833
Richard and I were at Miskatonic together.

288
00:32:10,916 --> 00:32:13,333
You remember William Thurber, of course.

289
00:32:13,416 --> 00:32:15,291
Ah, of course.

290
00:32:17,458 --> 00:32:20,791
Well,
Richard was a startling talent, even then,

291
00:32:20,875 --> 00:32:24,208
and unlike the rest of us,
only seems to have gotten better with age.

292
00:32:25,333 --> 00:32:27,500
Now, I'm aware it's out of the ordinary,

293
00:32:27,583 --> 00:32:30,083
but I've asked for him
to bring along a few paintings.

294
00:32:32,833 --> 00:32:36,000
If my fellow committee members
will indulge me,

295
00:32:36,083 --> 00:32:39,250
I'll ask for you to head
through to the gallery for a viewing.

296
00:32:41,875 --> 00:32:44,250
I trust you'll find it worth your while.

297
00:32:45,416 --> 00:32:47,625
I suppose we can play along.

298
00:32:47,708 --> 00:32:51,208
-Dr. Reid, I don't think this--
-You'll get your turn.

299
00:32:58,541 --> 00:33:00,125
Joe. Joe!

300
00:33:00,916 --> 00:33:02,166
This is not a good idea.

301
00:33:03,208 --> 00:33:05,500
Aw, are you afraid
of a little competition, Thurber?

302
00:33:05,583 --> 00:33:07,458
I know Pickman. I know his work.

303
00:33:07,541 --> 00:33:09,625
You can't show it at an exhibition.

304
00:33:10,750 --> 00:33:12,250
Huh. Funny.

305
00:33:12,333 --> 00:33:14,541
I never thought of you as a bad sport.

306
00:33:15,041 --> 00:33:18,291
…suffering
from the most terrible…

307
00:34:08,041 --> 00:34:09,041
Will?

308
00:34:24,708 --> 00:34:25,916
Where have you been?

309
00:34:28,291 --> 00:34:30,375
There are some things
I wanna talk to you about,

310
00:34:31,250 --> 00:34:33,583
but I have a monstrous headache, so…

311
00:34:33,666 --> 00:34:34,833
We have a guest.

312
00:34:56,583 --> 00:34:58,958
I hope you don't mind my dropping in.

313
00:34:59,833 --> 00:35:02,500
It's my business…

314
00:35:04,500 --> 00:35:08,000
to catch the undertones of the soul.

315
00:35:09,333 --> 00:35:13,041
You won't find those
on artificial streets,

316
00:35:13,125 --> 00:35:15,458
on man-made lands.

317
00:35:17,458 --> 00:35:19,916
If there are any ghosts round here,

318
00:35:21,375 --> 00:35:27,000
they're the tame ghosts of a salt marsh

319
00:35:27,083 --> 00:35:29,791
and a shallow cove.

320
00:35:29,875 --> 00:35:31,208
My art…

321
00:35:37,708 --> 00:35:38,541
Well…

322
00:35:42,250 --> 00:35:43,958
My art…

323
00:35:46,166 --> 00:35:47,416
…is about the ancient.

324
00:35:51,791 --> 00:35:52,750
Fascinating.

325
00:35:55,041 --> 00:35:58,583
During university,
Will and I and the Miskatonic boys,

326
00:35:59,333 --> 00:36:01,625
we had a little spiritualism phase.

327
00:36:03,041 --> 00:36:04,666
We liked to hold séances.

328
00:36:06,333 --> 00:36:08,291
We liked to call up the dead.

329
00:36:11,916 --> 00:36:17,500
We were just playing games,
but… it was very thrilling.

330
00:36:19,541 --> 00:36:21,333
It felt dangerous.

331
00:36:21,416 --> 00:36:25,083
I truly doubt that Dickie
wants to hear these childish stories.

332
00:36:29,875 --> 00:36:32,500
There was one night when it wasn't a game.

333
00:36:37,416 --> 00:36:38,875
It got very quiet.

334
00:36:42,291 --> 00:36:43,166
And dark.

335
00:36:45,500 --> 00:36:46,458
I…

336
00:36:48,375 --> 00:36:50,916
couldn't see anything anymore.
I felt like…

337
00:36:53,458 --> 00:36:55,625
I felt like I was… like I was blind.

338
00:36:57,666 --> 00:36:58,666
And

339
00:36:59,833 --> 00:37:00,958
the others, I mean…

340
00:37:06,250 --> 00:37:08,666
I never told the others anything, but…

341
00:37:11,875 --> 00:37:12,875
I felt like…

342
00:37:14,250 --> 00:37:16,166
I felt like I was floating.

343
00:37:24,250 --> 00:37:26,166
And then I have this…

344
00:37:28,291 --> 00:37:30,916
this funny feeling in my head.
It's like a…

345
00:37:32,750 --> 00:37:35,291
Sort of a… buzzing?

346
00:37:42,791 --> 00:37:43,625
Yes.

347
00:37:46,541 --> 00:37:47,500
It was a thing.

348
00:37:49,166 --> 00:37:50,833
All those years ago.

349
00:37:55,208 --> 00:37:59,625
Tell me, Richard, you must be
so excited to debut the exhibition.

350
00:38:04,583 --> 00:38:08,416
More than your lovely husband, I fear.

351
00:38:09,500 --> 00:38:13,791
I worry he's grown
more sensitive with age.

352
00:38:14,916 --> 00:38:16,750
Well, that's a word for it.

353
00:38:17,875 --> 00:38:20,708
Well, on that note,
why don't we call it a night?

354
00:38:23,791 --> 00:38:25,541
It's time for James to be put to bed.

355
00:38:31,375 --> 00:38:32,541
Come to my house.

356
00:38:35,416 --> 00:38:36,750
See the work.

357
00:38:40,458 --> 00:38:42,375
Perhaps you should invite Minot.

358
00:38:45,166 --> 00:38:46,916
Minot would never understand!

359
00:38:59,375 --> 00:39:00,791
Just think on it.

360
00:39:03,208 --> 00:39:04,083
Please.

361
00:39:14,000 --> 00:39:16,041
Do thank your wife for dinner.

362
00:39:17,041 --> 00:39:20,125
And tell James I enjoyed our chat.

363
00:39:20,208 --> 00:39:25,166
He's a special boy.
Reminds me a little of myself.

364
00:40:01,458 --> 00:40:02,791
You were rude tonight.

365
00:40:03,833 --> 00:40:05,291
I was embarrassed.

366
00:40:06,208 --> 00:40:07,458
You were embarrassed?

367
00:40:08,375 --> 00:40:10,958
You were fawning over him
like a schoolgirl.

368
00:40:13,166 --> 00:40:16,416
Richard is the only friend of yours
who's succeeded as an artist, and…

369
00:40:17,166 --> 00:40:18,666
the way you treat him…

370
00:40:25,500 --> 00:40:27,000
People are talking, Will.

371
00:40:28,583 --> 00:40:30,541
At the gallery, at the committee.

372
00:40:32,541 --> 00:40:34,875
You are acting strange,
and it's not just with me.

373
00:40:34,958 --> 00:40:36,708
You're coming home late. You…

374
00:40:38,333 --> 00:40:41,750
You're barely home anymore,
and when you are home…

375
00:40:45,333 --> 00:40:47,250
it's like… it's like a…

376
00:40:48,166 --> 00:40:50,791
I feel like…
I feel like you're disappearing from me.

377
00:40:54,291 --> 00:40:56,458
I need to know if you're drinking again.

378
00:41:05,583 --> 00:41:06,416
I…

379
00:41:10,958 --> 00:41:13,500
I have always

380
00:41:14,875 --> 00:41:17,666
tried to look for the… the joy

381
00:41:19,166 --> 00:41:20,958
and the beauty in everything.

382
00:41:22,041 --> 00:41:25,208
But around this man and his work, I just…

383
00:41:32,583 --> 00:41:36,333
The darkness has a way of… catching me.

384
00:41:37,916 --> 00:41:39,958
Life can't always be beautiful.

385
00:42:01,125 --> 00:42:02,500
Ah!

386
00:42:02,583 --> 00:42:03,958
<i>Yog…</i>

387
00:42:05,250 --> 00:42:07,666
No, no… Come…

388
00:42:09,333 --> 00:42:11,125
<i>Ng'ngah.</i>

389
00:42:11,583 --> 00:42:14,541
<i>Yog-sothoth.</i>

390
00:42:14,625 --> 00:42:16,958
<i>Y'ai'ng'ngah.</i>

391
00:42:21,000 --> 00:42:22,041
Ah, ahh!

392
00:42:22,125 --> 00:42:23,416
Ah! No!

393
00:42:23,500 --> 00:42:25,791
Ahh!

394
00:42:25,875 --> 00:42:27,666
Ng-ahh!

395
00:42:29,541 --> 00:42:31,416
-Ah!

396
00:42:42,416 --> 00:42:45,083
-No! No!

397
00:42:45,166 --> 00:42:46,000
No!

398
00:42:48,583 --> 00:42:50,375
Their mouths… Their mouths…

399
00:42:50,875 --> 00:42:52,875
-Sh, sh, sh, sh.

400
00:42:53,916 --> 00:42:55,166
Hey, buddy. You okay?

401
00:43:42,666 --> 00:43:44,666
Will. This is a surprise.

402
00:43:44,750 --> 00:43:46,375
What did you say to my son?

403
00:43:49,250 --> 00:43:50,083
Answer me.

404
00:43:51,583 --> 00:43:52,791
Is he unwell?

405
00:43:52,875 --> 00:43:55,875
He woke screaming in terror.

406
00:43:59,500 --> 00:44:01,166
I'm only gonna say this once.

407
00:44:02,333 --> 00:44:04,791
You stay away from my family.

408
00:44:04,875 --> 00:44:06,500
I thought we were friends.

409
00:44:06,583 --> 00:44:07,750
Friends?

410
00:44:07,833 --> 00:44:11,500
As far as I'm concerned,
the balance of our friendship is paid.

411
00:44:13,375 --> 00:44:15,458
I'm sorry you feel that way,

412
00:44:16,458 --> 00:44:18,291
but it was never about the money.

413
00:44:19,958 --> 00:44:21,833
I value your judgment.

414
00:44:21,916 --> 00:44:23,541
I always have.

415
00:44:23,625 --> 00:44:27,708
Please, Will, you've come all this way.

416
00:44:28,250 --> 00:44:31,041
I know you want to see my new paintings.

417
00:44:31,125 --> 00:44:32,958
The finest I done.

418
00:44:34,000 --> 00:44:35,500
I need you to see 'em.

419
00:44:37,666 --> 00:44:38,500
No.

420
00:44:43,000 --> 00:44:43,875
No, Dickie.

421
00:44:50,458 --> 00:44:54,250
And if… if I was to agree
to stay away from your family?

422
00:44:55,250 --> 00:44:57,583
And also to offer
to pull out of the exhibition,

423
00:44:57,666 --> 00:45:00,375
to destroy my paintings,
should you still think them unsuitable,

424
00:45:00,458 --> 00:45:02,666
and stay out of your life forever?

425
00:45:05,375 --> 00:45:06,541
You would do that?

426
00:45:10,583 --> 00:45:13,458
If you come to my house now.

427
00:45:34,791 --> 00:45:38,666
It must be shocking
to see the state of things here.

428
00:45:45,000 --> 00:45:45,833
But, uh…

429
00:45:47,458 --> 00:45:48,833
my work, Will,

430
00:45:49,708 --> 00:45:51,416
it is paramount.

431
00:45:54,625 --> 00:45:57,041
Electricity went out several months back.

432
00:46:02,166 --> 00:46:03,000
This way.

433
00:46:15,875 --> 00:46:18,125
Welcome to my work.

434
00:46:32,166 --> 00:46:33,583
Do you feel it, Will?

435
00:46:36,583 --> 00:46:37,833
The fear.

436
00:46:45,125 --> 00:46:46,875
Cursed rats.

437
00:46:48,000 --> 00:46:49,666
The hill's infested with them.

438
00:46:52,500 --> 00:46:54,666
<i>Deus</i> knows what they eat.

439
00:46:55,291 --> 00:46:57,166
They must've run short.

440
00:47:01,916 --> 00:47:02,958
One moment.

441
00:47:19,541 --> 00:47:20,458
Back.

442
00:47:21,958 --> 00:47:23,000
Whoa!

443
00:47:26,041 --> 00:47:28,416
No! He's my friend.

444
00:47:33,625 --> 00:47:35,000
No, get down!

445
00:47:40,875 --> 00:47:41,708
Back.

446
00:47:55,166 --> 00:47:56,166
Dickie?

447
00:48:39,958 --> 00:48:42,458
<i>Ng'ngah.</i>

448
00:48:42,541 --> 00:48:45,416
<i>Yog-sothoth.</i>

449
00:49:03,708 --> 00:49:06,250
-Will.
-Somebody has to stop you, Dickie!

450
00:49:07,250 --> 00:49:11,166
If I'm the one, I have to stop you!
Your paintings infect my mind.

451
00:49:11,250 --> 00:49:12,333
It's only art.

452
00:49:12,416 --> 00:49:13,750
No. No!

453
00:49:14,458 --> 00:49:17,083
No, see, see, I thought that it was me.

454
00:49:17,166 --> 00:49:21,166
That I was… I was drunk or… or delirious,

455
00:49:22,166 --> 00:49:26,583
shell-shocked and… and… and broken,
but it was these, these paintings.

456
00:49:26,666 --> 00:49:29,041
This whole time it was the paintings!

457
00:49:29,125 --> 00:49:31,166
What… What you make, it… it…

458
00:49:31,250 --> 00:49:35,208
crawls behind the eyes,
and it… it ma… it makes you crazy.

459
00:49:35,291 --> 00:49:39,583
Dickie, Dickie, it causes madness, and I…

460
00:49:39,666 --> 00:49:42,250
It's the world that's mad, Will.

461
00:49:42,916 --> 00:49:45,250
That's what breeds fear.

462
00:49:45,333 --> 00:49:48,125
Knowing what lurks in the darkness.

463
00:49:48,208 --> 00:49:52,500
-Stop it, stop it, stop it.
-Knowing where fear…

464
00:49:52,583 --> 00:49:54,083
-Stop it, stop it!
-…lives. Here.

465
00:49:54,166 --> 00:49:56,083
-Let me show you.
-Stop it, stop it, stop it.

466
00:49:56,166 --> 00:49:57,750
Make it stop please!

467
00:49:59,458 --> 00:50:00,500
Stop, Dickie!

468
00:50:01,000 --> 00:50:03,291
Dickie, you stop it! What are you doing?!

469
00:50:04,958 --> 00:50:06,333
Dickie, I swear to God!

470
00:50:17,750 --> 00:50:20,625
Paint what you see,

471
00:50:21,791 --> 00:50:24,125
what is familiar to you.

472
00:50:26,666 --> 00:50:28,291
These entities

473
00:50:29,375 --> 00:50:30,500
are real.

474
00:50:31,458 --> 00:50:33,333
Close to me.

475
00:50:35,041 --> 00:50:36,750
Family portraits.

476
00:50:38,958 --> 00:50:41,500
The paintings don't come from my head.

477
00:50:47,791 --> 00:50:49,666
They come from my life.

478
00:51:12,083 --> 00:51:14,833
Now it's time
for you to meet them.

479
00:51:20,541 --> 00:51:23,416
Time to see what awaits us all…

480
00:51:25,750 --> 00:51:27,208
in the darkness.

481
00:51:29,541 --> 00:51:30,375
Dickie.

482
00:51:36,958 --> 00:51:38,375
-Dickie, I'm…

483
00:51:57,916 --> 00:51:59,041
Dear God.

484
00:53:12,333 --> 00:53:14,333
It's all in your mind.

485
00:53:21,250 --> 00:53:22,750
It's extraordinary, Will.

486
00:53:23,416 --> 00:53:26,500
Reid did much of the heavy lifting
before I stepped in.

487
00:53:27,458 --> 00:53:28,875
Go, explore.

488
00:53:30,458 --> 00:53:32,458
I want you to be the first to see it.

489
00:53:33,750 --> 00:53:35,666
-Come on.
-That's my good boy.

490
00:53:39,916 --> 00:53:42,625
You seen Joe?
He was supposed to be here this morning.

491
00:53:42,708 --> 00:53:45,416
Uh, Mr. Minot came in last night,

492
00:53:45,500 --> 00:53:49,291
uh, saying he had
some final adjustments to make.

493
00:53:49,375 --> 00:53:50,791
I think he's still here.

494
00:53:52,708 --> 00:53:53,791
You're sure?

495
00:53:54,541 --> 00:53:55,375
Yes.

496
00:54:05,083 --> 00:54:05,916
Joe?

497
00:54:19,708 --> 00:54:20,541
Joe?

498
00:54:25,500 --> 00:54:28,125
I watched that painting burn, Joe. How d…

499
00:54:32,166 --> 00:54:33,875
<i>Y'ai'ng'ngah</i>.

500
00:54:33,958 --> 00:54:35,041
<i>Sothoth.</i>

501
00:54:36,833 --> 00:54:38,333
-Joe.
-<i>Y'ai'ng'ngah…</i>

502
00:54:38,416 --> 00:54:39,250
Joe.

503
00:54:40,458 --> 00:54:41,791
<i>S'ai…</i>

504
00:54:42,541 --> 00:54:43,541
Joe.

505
00:54:44,333 --> 00:54:45,166
It's me.

506
00:54:49,041 --> 00:54:50,500
What have you done, Joe?

507
00:54:51,000 --> 00:54:53,458
He is coming from the other side.

508
00:54:53,541 --> 00:54:55,750
It's okay. It's okay. I'm g… I'm gonna…

509
00:54:55,833 --> 00:54:57,666
He is coming for the feast.

510
00:54:58,375 --> 00:55:02,083
He is coming from the darkness
to show us all the beauty…

511
00:55:02,166 --> 00:55:03,625
-Gabriel!
-…of fear!

512
00:55:03,708 --> 00:55:04,666
Gabriel!

513
00:55:15,458 --> 00:55:18,416
Hey, you all right?
Why don't you go see Gabriel?

514
00:55:20,625 --> 00:55:22,166
-Are you all right?
-Yes.

515
00:55:22,250 --> 00:55:24,750
-You sure?
-Of course I'm fine. What…

516
00:55:24,833 --> 00:55:27,000
There's been an accident. It's… It's Joe.

517
00:55:27,083 --> 00:55:29,583
-An accident?
-I need you to take James home right now.

518
00:55:29,666 --> 00:55:31,291
-What kind of--
-Now, Rebecca.

519
00:55:37,666 --> 00:55:38,958
-Joe's hurt.
-What?

520
00:55:40,291 --> 00:55:41,416
I'm gonna go get him help.

521
00:55:41,500 --> 00:55:44,791
I want you to take
all of Pickman's works out immediately.

522
00:55:44,875 --> 00:55:45,958
Do you understand?

523
00:55:46,833 --> 00:55:50,750
-Take them? Where? What's happening?
-Just get them out of here. Destroy them.

524
00:55:53,791 --> 00:55:56,083
And, Gabriel…

525
00:56:01,125 --> 00:56:02,666
Do not look at them.

526
00:56:08,083 --> 00:56:09,291
You burn them!

527
00:56:09,791 --> 00:56:11,333
Joe, look away!

528
00:57:09,708 --> 00:57:11,208
It smells delicious.

529
00:57:16,083 --> 00:57:16,958
I, uh…

530
00:57:19,541 --> 00:57:22,416
I want to apologize to you, my love,

531
00:57:24,625 --> 00:57:25,833
for how I've been.

532
00:57:28,916 --> 00:57:31,416
I want you to know
that it's… it's all over now.

533
00:57:36,125 --> 00:57:37,500
Everything is gonna be…

534
00:57:38,250 --> 00:57:39,666
it's gonna be better. I'm…

535
00:57:41,375 --> 00:57:42,458
I'm going to be better.

536
00:57:44,083 --> 00:57:45,000
I promise you.

537
00:57:48,041 --> 00:57:48,875
It's all over.

538
00:57:52,208 --> 00:57:53,333
It's… It's over.

539
00:57:55,166 --> 00:57:56,875
I know where it lives, Will.

540
00:57:58,916 --> 00:57:59,750
What?

541
00:58:00,250 --> 00:58:01,958
Where what lives, sweetheart?

542
00:58:02,041 --> 00:58:03,416
I know where fear lives.

543
00:58:15,333 --> 00:58:16,708
No. No.

544
00:58:18,750 --> 00:58:20,500
Please, please, please, God!

545
00:58:20,583 --> 00:58:22,166
No, no, not…

546
00:58:22,250 --> 00:58:23,291
Not you!

547
00:58:23,375 --> 00:58:25,041
I'm sorry, I'm sorry.

548
00:58:25,125 --> 00:58:27,416
I'm sorry. I'm so sorry. Please.

549
00:58:28,458 --> 00:58:31,208
Please. I… I… I tried. I did try.

550
00:58:31,791 --> 00:58:33,250
Sh.

551
00:58:37,041 --> 00:58:38,416
You'll spoil the meal.

552
00:58:55,333 --> 00:58:56,625
Where is James?

553
00:58:57,458 --> 00:58:58,291
Rebecca.

554
00:59:02,291 --> 00:59:05,083
Where's… Where's James?
Where… Where is our son?

555
00:59:05,750 --> 00:59:07,166
Where's our son?!

556
00:59:10,291 --> 00:59:12,000
Soon we will feast.

557
00:59:13,666 --> 00:59:15,333
And it will be glorious, my love.

558
00:59:22,041 --> 00:59:23,000
You'll see.

559
01:00:04,708 --> 01:00:07,166
<i>Yog-sothoth.</i>

560
01:00:08,250 --> 01:00:11,250
<i>Y'ai'ng'ngah.</i>

561
01:00:11,333 --> 01:00:13,000
<i>Ng'ngah.</i>

562
01:00:13,083 --> 01:00:15,375
<i>Yog-sothoth.</i>

563
01:00:16,958 --> 01:00:19,833
<i>Y'ai'ng'ngah.</i>

564
01:00:19,916 --> 01:00:21,375
<i>Ng'ngah.</i>

565
01:00:22,166 --> 01:00:24,458
<i>Yog-sothoth.</i>

566
01:00:25,375 --> 01:00:27,958
<i>Y'ai'ng'ngah!</i>

567
01:00:28,041 --> 01:00:30,041
<i>Ng'ngah!</i>

568
01:00:31,500 --> 01:00:33,125
<i>Now it's time.</i>

569
01:00:34,416 --> 01:00:37,375
<i>Time to see what awaits us all</i>

570
01:00:37,958 --> 01:00:39,250
<i>in the darkness.</i>

